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Punk Avenue: Inside the New York City Underground, 1972-1982, by Phil Marcade
Free Download Punk Avenue: Inside the New York City Underground, 1972-1982, by Phil Marcade
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Review
Finalist, 2017 Indie Book Awards for Autobiography/Memoir, Foreword Reviews “Beautifully observed memoir from key early CBGB / Max’s Kansas City player . . . A suave evocation of a lost, grittier New York.†―Mojo Magazine “The best book on the New York punk scene since Please Kill Me!â€â€•Rockerzine "Recommended reading 2017." ―Stereogum “Punk Avenue is the story of a naïve young man looking for simple fun, accidentally fumbling through a music revolution, and in the meantime becoming a symbol for the rise and fall of a scene.†―Pop Matters "Phil Marcade is a fun and fascinating memoir set during one of New York City’s most unique era. This book takes you back to the time when Punk was ruling–even if it was just on the underground." ―New York Trend NYC "Nowadays, when punk aesthetics and ideologies are studied, archived and presented in curated museum shows, Marcade’s new memoir, Punk Avenue, is a timely gem. His words fill the page with meaning but never overstay their welcome, illuminating untold stories, different scenes, and missing links between the hippies and the punks, between black American music and the reclamation of a three-minute sonic spike to the vein. This is uncluttered, unordained prose.†―The Observer "An incredibly informed and informative biography of a man that includes the rise and fall a unique genre in American music history, Punk Avenue: The New York City Underground 1972-1982 is a truly riveting read from cover to cover."―Midwest Review of Books “Lucid, grimly humorous and gripping. . . . Truly a perspective from the inside. Highly recommended." ―I94 Bar “A fun, funny, and f**king fast read.†―Stomp and Stammer “A quick, engaging read. It is chock full of great anecdotes and tales of shenanigans while also adding some color and flavor to a scene that too often suffers anymore from over-analyzation and the icy, sterilizing eye of academia. His is a leaving breathing world where those “names†are real people doing real people shit, good and bad, and he is one of them.†―Jimmy Alvarado, Razorcake “A fascinating and amusing book . . . deservedly belongs next to your copy of Please Kill Me and New York Rock.†―Shake Some Action “A must-read for all Punk Rock fans and those looking to be entertained while getting a personal look at the birth of the NYC punk movement.†―The Punk Site “Even if Punk Avenue isn’t likely tell you anything about the ’70s Downtown NY scene you didn’t already know, it’s just insanely entertaining stuff and a must read for anyone whose copy of Please Kill Me is in tatters from over-reading.†―Midnight to Six "The real noteworthy feat is not simply remembering stories, but weaving them together in a way that is fun and funny and sad and personal and gripping, whether you’re a fan of early the early NYC punk scene or not. Marcade not only does exactly that in expert fashion with Punk Avenue, but he does it in a language that’s not his first.†――Dying Scene “PUNK AVENUE is relatable for me in a way no other book about that era has been. . . . I do not need to be part of the scene to feel a spirit of inclusion when I read PUNK AVENUE. That is what the best books are, the ones where we are welcome into the story.†―Rock NYC “Punk Avenue throws in an outsider’s perspective on the scene–author Marcade came to New York from Paris. Throw in contributions by Debbie Harry and Legs McNeil, and you have a decidedly interesting work on your hands.†―Vol.1 Brooklyn “The French-born musician cut his teeth during the heyday of New York punk, rubbing elbows with the likes of the Ramones, Johnny Thunders of the New York Dolls and Nancy Spungen (of Sid and Nancy fame).â€â€•Tidal "Phil Marcade's Punk Avenue is both fascinating memoir and a detailed, first-person account of the birth (and growth) of punk rock in New York City." ―Largehearted Boy "Marcade's great sense for storytelling, as well as his knack for being in the right place at the right time, make this a must-read for those interested in the history of punk." ―Library Journal “A must read book if you love the inside scoop on New York City's authentic rock scene from 1972-82.  Written from the perspective of Phil's own life story, the history of Max's Kansas City and the gritty NY punk scene gets documented with often hilarious detail.†―Dave Cromwell Writes "The brief, insane explosion of the punk scene in 1970s New York has fascinated people ever since and left a lasting impression on art, culture, and music. Punk Avenue: Inside the New York City Underground, 1972–1982 is a first-person account by Phil Marcade that brings this savage decade to life. . . . Marcade’s stories surprise and delight, reviving an influential, exciting moment in American culture." ―Foreword Reviews “A musician's memoir of punk rock in its New York City heyday shows how much fun it was while it lasted, before AIDS and heroin had the last laugh. . . . Must-read for those who love that era and want a fresh perspective on it.†―Kirkus Reviews "Punk Avenue leads us from the early highs through the dark periods of addiction and loss without losing hope." ―The Villager "It was hard to put this book down. It's a fun and dishy read!... Gives us the real 411 about both CBGB's and Max's Kansas City and the drug scene that was happening." ―Ginger Coyote, Punk Globe Magazine "Punk Avenue is a fast, fun read that fills in historical gaps and establishes Phil Marcade as more than a character lurking in the shadows. Fans of CBGB and American punk will dig it.†―Michael T. Fournier, Razorcake “Just when you think you led a fascinating, fun, wild, scary life, along comes this maniac. I’m amazed Phil’s still here. But thankful he managed to make it back with these untoppable tales from the inside of the inside ― of his pals Johnny Thunders, Joe Strummer, Debbie Harry, Dee Dee Ramone, of Max’s, CBs and the long-ago Lower East Side, all told in a matter-of-fact style that only makes them more incredible. A definitive dispatch from the trenches (and gutters) of New York punk.†― Robert Duncan, Managing Editor, Creem; author, The Noise “A riveting account of desperate days and high-octane nights that vividly recall the gritty glamour of New York in the 1980s, that penniless yet golden age of sex not sexting, drugs not hugs, and pure, unadulterated rock and roll. Written in blood by somebody who was there, in the combat zone, loving every manic minute.†― Max Blagg, poet “Marcade's book is  historically important, invaluable in fact, but it’s also a fun, fast, nasty read. I couldn’t think of a better introduction to NYC in the days when the streets were dangerous, the rents were cheap, and the fun never ended.†― James “The Hound†Marshall, Bar owner, radio personality
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About the Author
Phil Marcade left Paris in his late teens to begin a few months” of travel that would lead to a 40 year-stay in the U.S., mostly in New York City. He was at the center of the origins of the punk rock explosion, as a musician (founder and lead singer of The Senders) and scenester, forming intimate friendships with artists and musicians including Johnny Thunders, Nan Goldin, Cookie Muller, Wayne Kramer, Debbie Harry, Nancy Spungen and Willie DeVille. His first book, Au-delà de l’Avenue D (Scali, 2006), was published in France. In addition to writing, he works as a painter and graphic artist. He lives in Bologna, Italy.
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Product details
Paperback: 288 pages
Publisher: Three Rooms Press (May 2, 2017)
Language: English
ISBN-10: 1941110495
ISBN-13: 978-1941110492
Product Dimensions:
6.2 x 1 x 8 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
73 customer reviews
Amazon Best Sellers Rank:
#137,059 in Books (See Top 100 in Books)
Even without rose-tinted shades, it ain’t much of a stretch to slot 1970s downtown NYC alongside Weimar Berlin of the 1920s or the Parisian Left Bank of the 1930s. The socio-political and economic climates of each combined to fertilize an environment that was sympathetic towards creative misfits of every variety; where rules were discarded in the worlds of art, film, literature and music, and bold new ideas were bashed into shape -- their true merits and vitality only validated by the masses decades after the fact.Marcadé stumbled stateside in the early 1970s, quickly winding his way to NYC, where his world would collide not only with the nascent art [Nan Goldin] and film [Waters’ Dreamlanders] worlds, but also with the earliest rumblings of countless bands and musicians whom the laziest critics would lump together under the label of punk. Armed with a deep and sincere passion for righteous forefathers like Bo Diddley and Wynonie Harris, Marcadé left his own indelible mark on the music scene through forming The Senders -- a superb band not miles away from Mink DeVille and Dr Feelgood, but without being a cheap secondhand copy of either.His world was gritty and greasy and seldom dull, and he went beyond participation and observance by embracing it throughout the ups and the downs. And while Marcadé was absolutely an avid and eager collector of experiences, Punk Avenue would be a very different book without his natural gifts as a first-class raconteur of the highest order.It’s a fitting legacy: the book is Flip, and Flip is the book -- class, grace, style, humor, wit and, as anyone who knows him will add, charm.
One of the more entertaining rock and roll reads I have ever picked up. Phil Marcade was a French kid, that fell in to some crazy adventures while traveling throughout America in the early seventies. He does eventually settle in New York City, the setting for most of the book. Marcade, as spectator and musician becomes another colorful character in the cast of many, detailing events playing in bands and befriending some of the musicians that would make history from the era (including The Cramps, Ramones, and notably Johnny Thunders). The shadow of the Dolls, and Thunders looms large here, as Phil and Johnny became fast friends, and really grew to know one another over time. Cannot recommend this enough, it's a relatively short book (just over 200 pages), but what it has got to communicate, and how the author manages this, makes the book truly memorable.
Some things are too rare. Have you ever spent time with someone who is so good at telling stories, relating events, that before you know it, hours have flown by seeming like mere moments? That's the sort of thing that I'm talking about. I recently finished Punk Avenue, by Philippe Marcade, last week and I've wanted to write about it, but there was so much that is great about this book that I didn't really know where to begin. After thinking about it though, I came to the realization that it's not the amazing stories about NYC's nascent punk music scene that hit home for me. It's how utterly skilled Philippe is at conveying them. Reading this book is like sitting in wrapt attention while someone highly adept at storytelling relates their history just for you. A great read. I'd say along with Please Kill Me, Punk Avenue is an indispensable book for anyone interested in New York's punk music scene, whether you were there, whether you missed it, or even if you just love a story well told.
If You liked "Please Kill me" by legs Mcneil You should like this one also. Philippe marcade is already present in that book and many of His anecdotes are already there. Here he presents His story as a Young frenchman coming to The USA and Then befriending the New york dolls. He becomes close with Johnny thunders and Also with many others from The New york scene. If You Love that punk era this is a great book. To The difference of Please Kill me it has one single narrator Which is an adavantage Since it has a more homogeneous style. It may not be as complete an overview of The scene ad The other book But is more personal. It is somewhat short But i highly recommend it.
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