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Review
As a reading experience, the books feel more like monographs with expansive captions than generic how-to guides. –Eye Magazine
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About the Author
Alex Webb is best known for his vibrant and complex color photography, often made in Latin America and the Caribbean. He has published eleven books, including Violet Isle: A Duet of Photographs from Cuba (with Rebecca Norris Webb) and The Suffering of Light, a collection of thirty years of his color work. Alex became a full member of Magnum Photos in 1979. His work has been shown widely, including at the Metropolitan Museum of Art and the Whitney Museum of American Art, New York, and at the High Museum of Art, Atlanta. He’s received numerous awards, including a Guggenheim Fellowship in 2007. His work has appeared in the New York Times Magazine, National Geographic, and GEO, among other publications.
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Product details
Series: The Photography Workshop Series
Paperback: 128 pages
Publisher: Aperture (June 30, 2014)
Language: English
ISBN-10: 1597112577
ISBN-13: 978-1597112574
Product Dimensions:
7.5 x 0.5 x 9.9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
25 customer reviews
Amazon Best Sellers Rank:
#186,562 in Books (See Top 100 in Books)
This is the one disappointing book in this series that promises a workshop experience (perhaps their workshops are better) that deepens your understanding of art photography, the practical issues of shooting street photography and how to develop a body of your work. Unfortunately, this book does none of these things. While the photos are inspirational, there is nothing here that can’t be found in the classical photography texts. The series objectives are quite admirable but fall seriously short of the mark. Do not buy this book, rather, search online and find the classical tomes that are more deeply educational and inspirational. This is not a how-to guide, more like individual essays or as described in the review, monographs. The Mary Ellen Mark book is more involved as the Webb book seems to have been an afterthought in the series and has run out of steam. I read this book in several hours and was wanting for more. I was hoping for more the poetic, practical dialectic here but came up short. The polemic here is self-absorbed and not industrious as a book of this promise should be. While poetry can be taught, it is not taught here as the title alludes. This is not a book for the experienced photographer and I am not sure the novice should bother. Look elsewhere.
I have mixed views about this book. Alex's comments resonated strongly with me, and I agree with his approach. I did think however that he could have included more material. I read the book in about an hour and felt, ultimately, unfulfilled. I have also recently acquired the Magnum Contact Sheets book and have found that it is a wonderful compendium of how great (and some not so great) photos have been taken. The contrast is of course that this book is just about two photographers, whilst the Magnum book covers about 50 or more, but in terms of value for money, the Magnum book delivers in spades. The biggest letdown for me was Rebecca's material. I did not find her images strong, and too much was focussed on a series of images of Dakota, and what they meant for her - they certainly did not resonate with me, nor offer any real insights, other than how her professional work was cathartic in helping her deal with a personal loss. In reading this material I did reflect on my own, recent personal loss, but that was really all.In the end I would suggest for the majority of people, that this book would represent poor value for money. For me, it was a brief insight into the mind of a celebrated street photographer, and I enjoyed it for that, but felt really like it was just the entre, and I had paid for the main course.
I purchased all three books in the series, and of the three, I can only recommend the one by Mary Ellen Mark. She clearly took time and effort in putting together that book, which provides great examples of her work and substantive commentary. Such is not the case here.
Love the format
Fantastic insights into street photography
awesome
Very good pictures and a joy to read, this book can give inspiration and help to all photographers.
This book in particular, and the other book in the Aperture Photography Workshop series, by Larry Fink, is a great, thought-provoking work for serious photographers.I'm learning as I read the book, but mostly I'm testing my own thoughts on how to take the best pictures with the Webbs' explanations and short essays on how their best pictures came to be.The book takes us very close to the best personal seminar with a great photographer - highly recommended.
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